Rowena at the Turnrow was a blast because the place just felt like a party. We got there and hardly had enough room for our gear. Our stage was in the corner by the pool tables, but it felt right and we were all in a great mood. We played two sets of our songs in full band acoustic which was a cool thing. I've played plenty of acoustic sets with Cody but this was the first time everyone was involved and it sounded great. All the songs were broken down and sounded completely different. The crowd was having as much fun as we were which made the night perfect.
Our tiny corner at The Turn Row in Rowena. Doesn't look like it here, but a really fun show.
Uncle Dave's Roadhouse in Brownwood was great for the exact opposite reason. The place is huge! Uncle Daves is a 150 year old building with three stories. Our stage was on the 2'nd floor looking over the dance floor. They have been open for only a few weeks, but I'm positive this place will be one of the better known venues once it starts catching on. Our problem was that a local band was having a first album CD release party. They had a 3 band line up of all local talent and the local radio station broadcasting for a few hours. Needles to say, if you were a Brownwoodian (?) my money would go to the bar that had all my friends playing and partying at. We rocked out a crowd of twenty. On the plus side, every person who was there bought a CD or shirt and we got booked for hopefully a better date. I can't wait to go back to Uncle Dave's Roadhouse. Check it out if you happen to pass through Brownwood.
A view of us setting up on stage from the 3'rd story balcony at Uncle Dave's Roadhouse. Cool Place.
The waiting on the mail title thing? I bought a new harmonica mic! I've been playing with my bulletproof 60's Shure 545s and have nothing bad to say about my tone. My objection that finally got to me? It weighs a million pounds. It's a pistol grip old school metal microphone. I play with it on a mic stand because my little wrists can not handle that weight through a whole set. The solution? Spend some money! I bought a Blows Me Away custom Sm57. It's the guts of a Shure sm57 stuffed in a smaller, lighter, aluminum body with a volume control and a Quarter inch butt instead of the regular low impedance XLR end. I'll let you know how it sounds when the UPS guy hurries up and gets it to me.
Hell Yeah!